Sensorial Art Interactive
Claire Sauvaget | Artist Fine arts/digital arts |1986
Fine arts Birmingham Institute of Art and Design (RU)
Fine Arts Université Jean-Jaurès (FR)
First of all, Claire Sauvaget was a painter, however she changed her artictic specialization to digital art (installation) in 2008. Her work focussed on the transformation of commuting time into art, because she was impressed by the individualization of our society and by the world of work.
Since 2008, she exhibits in France and in England, mostly during digital art festivals (Mai Numérique 2015 Malves, France), Fablab Festival 2015 (Toulouse, FR), festival Jardins Synthétiques 2014 (Toulouse, FR), 20th fine art festival in Carla Bayle 2014 (FR), EMERGENCES 2013 (Toulouse, FR), Festival Sonor 2012 (Nantes, FR), festival Traverse Vidéo 2011 (Toulouse, FR), Mozaic Festival 2011 (Coventry, UK) and in public galeries.
// Since 2012, member of the association patch_work, arts émergents which promotes digital art in Europe, specifically in France.
// Collaborations with artist Mathilde Murat ( association patch_work, with deaf artist Sj Rideaf ( association patch_work), with theater (Valerie Moyon, Cie Hypothèse Théâtre) and in 2016 with Dance ( Fabienne Larroque, Cie Coda Norma ).
// Since 2011, she is a radio host of «Déambulations Urbaines» a radio show on campusfm (Toulouse, France) (sound installation, radio art, soundscape, field recording, experimental music, sound poetry).
// 2010 - 2012 - visitor assistant in different art center and contemporary art festivals : BBB centre d’art contemporain (Toulouse, France), festival of Printemps de Septembre (Toulouse,France) festival of L’Eté photographique de Lectoure (Lectoure, France) Flatpack Festival (Birmingham, United Kingdom), gallery Espace Croix Baragnon (Toulouse, France). Since 2012, she developped this activity in free-lance for colleges, associations and art center.
Carolina Lolas is an artist formed in Chile and France in the visual arts and new languages. She is specialized in theories of digital arts and techniques of contemporary artistic production. Since 2002, she started to develop a career in theoretical investigation and the creation of a mixture of knowledge of the arts and sciences. In 2011, with a diploma of professor of fine arts and a career as a painter, sculptor and jewelry designer, she continues with her studies in the University of Toulouse II Jean Jaures, where he specializes in digital arts and new media, editing video, interaction and performances. She gets a Professional Master in Creating Numerique, mastery that allows her to start a career of theoretical investigation on the concept of immersion and interaction in contemporary art installations. Since 2014 she writes an article in immersion column in the Cultural Scanner magazine, which is the oldest art and cultural magazine in Chile.
Her artistic practice evolves from an analog source to mixture techniques. Her favorite inspiration comes from gender, performance, installation, video and interaction related to the sociology and anthropology. Inspiration that lead her to create an important work Guerilla. With that peace of art she participated in several competitions and exhibitions of arts.
Currently she is developing a new topic; the mixture of arts and natural sciences, with special emphasis in astronomy and meteorites with white shade and ecological landscape. This interactive work will be shown in an exhibition in the House of Arts “Pinacoteca” in the Universidad de Concepción, during August and September of 2015.
In the other hand, she develops a curator and arts commissary and content for the association singles Southern, Cultural Platform Concepción, Chile. Where she develops the role as coordinator of the new media, planning and developing new media training, seminars and residences.
Aubadja est une collaboration artistique réunissant deux plasticiens Marie Aubinière et Emeric Rakotondrahaja. Le duo se forme en 2013 lors de leur dernière année d’étude en création numérique afin de réunir deux démarches artistiques dont les problématiques gravitent autour des rapports que l’homme entretient avec le monde et inversement, dans une volonté de faire résonner leurs pratiques respectives de manière dialectique. Dans ce cadre ils ont déjà réalisé différentes pièces et projets témoignant d’une volonté de réflexion axée sur les impacts du monde sur l’homme, sur notre être de sa naissance (et même avant) à sa mort.
Issu d’une formation dans les techniques du son, Emeric Rakotondrahaja explore divers univers sonores à la fois introspectifs et corporels, dans une logique d’expérimentation participative. Son travail reflète des questionnements relatifs à la méditation, au recentrement sur soi ainsi qu'aux aspects cognitifs entrants en jeu dans la perception sonore.
Après avoir suivi une formation en arts visuels, la démarche de Marie Aubinière est définitivement axée sur le traitement de l’image aux croisements de l’expérimentation lumineuse et des comportements phénoménologiques. La procédure amène le spectateur à s’interroger sur la nature des expériences vécues dans la mutation du réel au virtuel.
Leurs pratiques se rejoignent pour créer des installations à la fois sonores et visuelles, tout en y apportant une dimension multimodale et une écriture personnelle. Leurs interrogations se prolongent quant à la place du spectateur dans l’œuvre par l’aspect interactif ou seulement participatif, où le spectateur détermine et donne vie au travail.
